Greek Texts & Translations

Twenty stades away is the Coliad promontory; on to it, when the Persian fleet was destroyed, the wrecks were carried down by the waves. There is here an image of the Coliad Aphrodite, with the goddesses Genetyllides (Goddesses of Birth), as they are called. And I am of opinion that the goddesses of the Phocaeans in Ionia, whom they call Gennaides, are the same as those at Colias. On the way from Phalerum to Athens there is a temple of Hera with neither doors nor roof. Men say that Mardonius, son of Gobryas, burnt it. But the image there to-day is, as report goes, the work of Alcamenes ^note So that this, at any rate, cannot have been damaged by the Persians.

As you go up from the Peiraeus you see the ruins of the walls which Conon restored after the naval battle off Cnidus. For those built by Themistocles after the retreat of the Persians were destroyed during the rule of those named the Thirty. ^note Along the road are very famous graves, that of Menander, son of Diopeithes, and a cenotaph of Euripides. He him self went to King Archelaus and lies buried in Macedonia; as to the manner of his death (many have described it), let it be as they say.

So even in his time poets lived at the courts of kings, as earlier still Anacreon consorted with Polycrates, despot of Samos, and Aeschylus and Simonides journeyed to Hiero at Syracuse. Dionysius, afterwards despot in Sicily had Philoxenus at his court, and Antigonus, ^note ruler of Macedonia, had Antagoras of Rhodes and Aratus of Soli. But Hesiod and Homer either failed to win the society of kings or else purposely despised it, Hesiod through boorishness and reluctance to travel, while Homer, having gone very far abroad, depreciated the help afforded by despots in the acquisition of wealth in comparison with his reputation among ordinary men. And yet Homer, too, in his poem makes Demodocus live at the court of Alcinous, and Agamemnon leave a poet with his wife. Not far from the gates is a grave, on which is mounted a soldier standing by a horse. Who it is I do not know, but both horse and soldier were carved by Praxiteles.

On entering the city there is a building for the preparation of the processions, which are held in some cases every year, in others at longer intervals. Hard by is a temple of Demeter, with images of the goddess herself and of her daughter, and of Iacchus holding a torch. On the wall, in Attic characters, is written that they are works of Praxiteles. Not far from the temple is Poseidon on horseback, hurling a spear against the giant Polybotes, concerning whom is prevalent among the Coans the story about the promontory of Chelone. But the inscription of our time assigns the statue to another, and not to Poseidon. From the gate to the Cerameicus there are porticoes, and in front of them brazen statues of such as had some title to fame, both men and women.

One of the porticoes contains shrines of gods, and a gymnasium called that of Hermes. In it is the house of Pulytion, at which it is said that a mystic rite was performed by the most notable Athenians, parodying the Eleusinian mysteries. But in my time it was devoted to the worship of Dionysus. This Dionysus they call Melpomenus (Minstrel), on the same principle as they call Apollo Musegetes (Leader of the Muses). Here there are images of Athena Paeonia (Healer), of Zeus, of Mnemosyne (Memory) and of the Muses, an Apollo, the votive offering and work of Eubulides, and Acratus, a daemon attendant upon Apollo; it is only a face of him worked into the wall. After the precinct of Apollo is a building that contains earthen ware images, Amphictyon, king of Athens, feasting Dionysus and other gods. Here also is Pegasus of Eleutherae, who introduced the god to the Athenians. Herein he was helped by the oracle at Delphi, which called to mind that the god once dwelt in Athens in the days of Icarius.